Buske's been in bands (Another Victim, Santa Sangre, The Promise, Terror, Maximum Penalty, Nasty Posse) for as long as I've known him, which has been well into 10 years now. He's passionate about music, and Crowbar is at the top of his list. When I asked him to compile this list, I think he ran a gamut of emotions...Excitement. Anger. Responsibility. Anxiety. Anger. Confusion. Inspiration. Relief. And then anger again.
He's one of my best friends, he's one of the biggest assholes I know, but he knows his shit. Take it away, Jonnie Bitch...
It's incredible to hear a Crowbar song in 2010 that sounds exactly like it was written 15 years prior. This song embraces everything Crowbar built for me and continues to solidify why they are the most incredible Metal band of my time. Fast part, mid-tempo part, punishing breakdown and the signature wall of tone sludge part. Absolute sonic perfection.
To me, there are "tough" Crowbar songs and there are "slower", melodic, dark, deep emotional Crowbar songs. Both have a distinct heaviness to them but the more melodic ones carry a much thicker tone and make for a heavier experience. This song is the perfect "slower" Crowbar song. It embraces the emotion throughout the verses and choruses but then picks up into an almost punk vibe towards the end of the song then slams back into the dark verse and chorus riffage. The ascending/descending riff in the chorus is brilliant to me. Simplicity, man.
#3 Wrath Of Time Be Judgement from Broken Glass
There is an energy in this song that you typically don't get from other Crowbar songs. The up-tempo verse with layered vocals, the gnarly simplistic chorus riff that has the perfect amount of bass growl and attack on the palm mutes. The structure of the song and tempo changes at certain points just makes the song relentlessly brutal.
There is an energy in this song that you typically don't get from other Crowbar songs. The up-tempo verse with layered vocals, the gnarly simplistic chorus riff that has the perfect amount of bass growl and attack on the palm mutes. The structure of the song and tempo changes at certain points just makes the song relentlessly brutal.
#2 To Carry The Load from Odd Fellows Rest
That melancholy verse riff butted up against 6 of the thickest palm muted notes I've ever heard makes for such an incredibly atmospheric part that blends perfectly into the chorus that follows. Followed by the (extended) bridge that seems it was written to tease you and create this sense of eager anticipation for what comes next; the heavest breakdown ever recorded. The atmosphere and mood of this song is absolutely incredible.
That melancholy verse riff butted up against 6 of the thickest palm muted notes I've ever heard makes for such an incredibly atmospheric part that blends perfectly into the chorus that follows. Followed by the (extended) bridge that seems it was written to tease you and create this sense of eager anticipation for what comes next; the heavest breakdown ever recorded. The atmosphere and mood of this song is absolutely incredible.
#1 High Rate Extinction from Crowbar
The opening riff of this song was my grand introduction to the band and it has continually epitomized Crowbar's sound record after record. It's heaviness blew my mind over 20 years ago it does the same every time I hear it now. What other band can take such a redundant riff and make it as timeless, heavy and brutal as Crowbar?
The opening riff of this song was my grand introduction to the band and it has continually epitomized Crowbar's sound record after record. It's heaviness blew my mind over 20 years ago it does the same every time I hear it now. What other band can take such a redundant riff and make it as timeless, heavy and brutal as Crowbar?
Crowbar will release their 9th studio album, Sever The Wicked Hand, on Feb. 8th on E1 Music.
(written by Buske, compiled by Douger)
No comments:
Post a Comment